Movie Review: Pan's Labyrinth
Julian and I made one of our infrequent trips to the movie theatre again yesterday. Julain wanted to see a movie called Pan's Labyrinth, and since I knew it was by Guillermo del Toro (the director of Hellboy, I said Okay and off we went. The official movie description goes like this:
Set against the bloody backdrop of the Spanish civil war, 10-year-old Ofelia is sent to an isolated mansion with her heavily pregnant mother. Lonely and intimidated by her new stepfather, Ofelia discovers an overgrown labyrinth where she meets Pan, an ancient satyr. Fascinated by fairy tales, Ofelia is captivated by Pan and his stories of the fairy world. However, when her mother falls ill, Ofelia makes a pact with Pan in order to save her. In exchange, Ofelia must undertake three challenges to prove her worth. These challenges take her on a journey to another world.
The first surprise is that the movie is done completely in Spanish -- we had no idea of this when we entered the theatre. Fortunately, it's subtitled well into English, and having lived the last 18 years with a French wife who loves subtitled movies, I've learned to make-do with subtitles. But if you've never seen a sub-titled movie, this is the one to start this. The story line is so compelling you forget the sub-titles even exist fairly quicly. In fact, when I wrote the first draft of this review I had to be reminded of this by Julian -- I'd completely forgotten. The movie is alternately an ultra-realistic documentary of the brutality of the Spanish Civil War, as well as a beguiling fantasy on the level of The Lord of the Rings. (Well,okay -- I don't know if anything is quite on the level of LOTR; but it's realism and seamless imagery are certainly at that level.)
Ofelia is a young pre-pubescent girl who finds herself in the difficult position of having a new stepfather. The fact that the new stepfather is the captain of one of Franco's fascist brigades stationed far from the city where she grew up doesn't help matters; nor does the fact that he's a brutal, sadistic oppressor of the nationalist forces. There's a very brutal scene at the beginning of the movie where he shoots and bludgeons to death some rabbit hunters who happened to trespass into his area that very aptly demostrates this, but it's essential to showing just what an amoral bastard he truly is. While exploring this new "home" she discovers an ancient stone labyrinth behind the outpost where she meets Pan, an Faun who guards the labyrinth, awaiting the return of a lost princess.
Well, surprise -- Ofelia is the princess.
In order to be able to return to the kingdom of her father, she has to complete three tasks, including outwitting the monster pictured to the left, who has to be one of the creepiest things I've ever seen in a movie. Unfortunately, being a pre- teenage girl, she disobeys the instructions with tragic reults and loses her kingdom. At this point I almost despaired for Ofelia, seeing her condemned to live this tragic life with her cruel stepfather and dying mother. Yet Pan relents and gives her one more chance.
I won't reveal the ending, except to say that the Partisans attack; blood is drawn on both sides; the Captain is predictably cruel, and Ofelia gets her wish in the end, albeit in a particlarly tragic way. Yet I didn't feel sad at the movie's ending; just somewhere between numb and relieved the ordeal was finally over for Ofelia and that she was happy at last.
While a difficult movie to find (as of today it's only playing on 609 screens nationwide), it's a movie well worth seeing and well worth seeking out to see it. Interestingly, the movie is #6 at the Box Office this week with $4.8 million gross despite the low amount of screens. (The #5is The Pursuit of Happyness with 3,066 screens, and the #7 is Freedom Writers at 2,286 screens.) I have to give this my highest recommendation (A+), despite the limited release and foreign language content.
~~JD~~




